You are here

Back

Immersive Environments

Immersive Environments

Showing 27 items
Projects
Virtual reality safety training programs which have revolutionised health and safety practices in the international mining industry with AVIE and iDome interface technology.
People
Current appointment(s):

Associate Professor, College of Fine Art, UNSW
Researcher, Contemporary Culture, Art & Politics (CCAP)

Associate Professor Anna Munster is the Acting Deputy Director of NIEA. She has international profile as both a practitioner and prominent theorist in art.
People
Current appointment(s):

Professor, College of Fine Arts, UNSW 
Director, Porosity Studio

As an internationally exhibiting artist and architect, Richard Goodwin has sustained a prolific, award-winning practice for over thirty years.
Projects
Scenario is an interactive video work based on transactions between users and autonomous digital characters featuring artificial intelligence. Over the course of three acts, users explore an immersive, responsive landscape and carry out tasks together to complete the narrative sequence.
People
Current appointment(s):

Head, Special Projects, Museum Victoria
Associate Director, iCinema Centre for Interactive Cinema Research
Adjunct Professor, RMIT University
Adjunct Professor, Applied Laboratory of Interactive Visualisation and Embodiment (ALiVE), City University, Hong Kong

Affiliations
Virtual Museum Transnational Network (v-must)
International Society of Virtual Systems and Multimedia (VSMM, IEEE)
Australia ICOMOS (International Council on Monuments and Sites)

 

Professor Sarah Kenderdine researches at the forefront of interactive and immersive experiences for museums and galleries. She is considered a pioneer in the field digital heritage, digital humanities and big data visualisation and is a regular keynote speaker at related forums internationally. 
Projects
DomeLab is  the first ultra-high resolution (4K) experimental fulldome in Australia.
Projects
Developments in digital media have provided a framework for new approaches to cultural heritage. The technological mediation of historically significant sites allows users to remotely access and explore these spaces, uncovering their multilayered significance from a distance.
Projects
The T_Visionarium II project addresses the subject of narrative in database aesthetics. It explores structures that are immanent in contemporary digital interaction, but that have been somewhat neglected in contemporary media arts.